Stage
聚場
TAIPEI CITY 台北市
2014.09
25坪 82m²
The owner in this case is working in the fashion industry; he has handsome, delicate features on his face, long hair to the shoulder, countless tattoos all over his body, and full of stories in his life. Just like his characteristic personality, he has an exclusive insistence in aesthetics of clothes and space. Basing on his personality, the designer chose the image of “The Dark Knight” as major concept, creating a mysterious black space.
此案居住者本身從事服飾業，及肩的長髮下有著陰柔俊美的五官，搭配著身上數不完的刺青後，也有說不盡的人生故事。個性輪廓鮮明的他對穿著及空間也有著強烈的美學堅持，設計師基於居住者的性格，以黑暗騎士為舞台為其造打這齣黑色詭譎的神秘空間。
Design Director: Angelo Cho
Project Director: Nomas Chen
Project Team: : Irene Haung
Photographer: Angelo Cho
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設計總監: 卓思齊
專案總監: 陳明封
專案團隊: 黃勻芳
空間攝影: 卓思齊
The curtain of the night is falling, and the moon shines upon the diamond-shape cut solid concrete bar. The man sitting in the living room with lowered ceiling put down the cup of coffee in his hand, and walked across the hallway with wooden flooring to the front of the iron cast French windows.
夜幕低垂，月光射進厚實的鑽石切角水泥吧台，坐在降板客廳的沙發上的男人放下手上微熱的咖啡，踏上木質地板的廊道走到鑄鐵分割的落地窗旁。
He turned to open the mysterious gate of the black submarine, walking into the dressing room as if entering a secret chamber.
拉開那道神秘黑色潛水艇艙門，仿佛進入另一個秘室般的更衣室。
Inside the dressing room, the deer head hanging high up in the wall is staring down at the goro’s badge carved on the floor. Symbols of poker aligning along the base of iron clothes rack; the one with the figures of spade hangs only leather jackets. Each and every piece of clothes has their own place to be―this is the basic principle for the man.
更衣室內牆上的鹿頭凝視著地板上刻印的 goro’s 徽章，鐵製掛衣架的底座上排列著撲克牌符號，黑桃的掛衣架永遠只掛皮衣，每件衣服都有它該掛的位置，這是男人的基本堅持。
Combining the emotions and feelings in life with the aesthetics of space, that the space is capable of interpreting the stories of true feelings and cultures.
生活的情感與空間美學結合，演繹出文化與情感的故事。
